In Theodosius, matter becomes thoughtful silence.

A sequence of planes, inclinations and cuts designs the space as if it were a score of light.
Each fragment reflects the other in a fragile and absolute balance, where the marble loses its weight and becomes time, waiting, suspension.

It is not a form, but a dialogue between presence and absence:
between the gesture that builds and the one that is silent.

Teodosio was born in this way - as an architectural thought that becomes sculpture,
like a measure of silence that can be touched.