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CRITICAL ESSAYS

Over the years, Fausto Ferrara's work has been observed and interpreted by architects, architectural historians, critics, and scholars from different fields and generations.
The texts collected in this section are not intended to explain the works or define a univocal meaning, but to traverse them, providing autonomous readings based on the experience of space, matter, time, and silence.

These contributions accompany the work without circumscribing it, composing a constellation of perspectives that testify to the continuity of a research conducted on the margins of fashions and disciplinary noise, in constant dialogue with critical thinking.

Franco Purini

Rome, 2010

A critical essay on the compositional and conceptual coherence of Ferrara's work, understood as an inseparable unity between form, construction, and thought.

Franco Purini

Catalogue of the XIII Venice Architecture Biennale 2012

A critical essay on the work presented at the Venice Architecture Biennale, focusing on the relationship between structure, measure, and symbolic space.

Elizabeth Cristallini

A critical essay on the Spazio Sensoriale project, in which Fausto Ferrara's architecture is interpreted as a perceptive and cognitive device, capable of initiating silence, contemplation, and a sense of place. Cristallini places Ferrara's work within a tradition that combines modern rigor, phenomenological dimension, and scenographic sensibility, interpreting architecture as a "thinking machine" and an act of responsibility toward humanity and environmental balance.

Catalogue of the XIII Venice Architecture Biennale 2012

Francesco Dal Co

2007

Text dedicated to the Temple of Memory project, interpreted as an architectural device capable of holding together space, time and the ritual dimension.

Philippe Daverio

2006

A critical reflection on the relationship between construction and landscape in Ferrara's work, between formal rigor and natural sensitivity.

Enrico Crispolti

2013

A critical essay interpreting Fausto Ferrara's work as an exploration of space as a perceptual and ethical experience, in which architecture, light, and time construct places of suspension and listening. Crispolti emphasizes the coherence of his research and its distance from dominant trends, interpreting Ferrara's work as a form of silent resistance to contemporary noise.

Elena Liotta

2010

Critical text on Sensory Space
Analysis of the symbolic and perceptual value of the work, between bodily experience, matter, and light.

Mario Ferrari

2007

A critical essay on the theme of perception and the recovery of a sensitive dimension of contemporary architecture.

PRIMARY TEXTS

Kenneth Frampton

New York, 2025

A critical essay on the architectural and theoretical work of Fausto Ferrara, with particular attention to the tectonic, phenomenological, and poetic dimensions of architecture.

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